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Repurposing the Drone: Ai Weiwei’s Human Perspective Shift

15 December 2017

A key sequence in German-based Chinese artist/activist Ai Weiwei’s globe-trotting refugee documentary Human Flow does something truly fascinating with the drone technology that has infected cinema...

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Let The Festivities Begin!

13 December 2017

The True Gifts of Christmas... We're in the mood for giving here at Filmhouse, so we're bringing you a seasonal selection with traditional classics mixed with some not-so-traditional films...

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Alternative Christmas Classics

12 December 2017

The magic of the movies has become synonymous with the festive season - nothing quite says Christmas like watching It's a Wonderful Life or The Muppet Christmas Carol with a cup of something mulled,...

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An Arrow Hits Its Target

6 December 2017

In the moderately unlikely event that you find yourself about to be shipwrecked on a desert island and forced to choose a single year of British cinema to take with you as the sole entertainment for...

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What's On This Week

6 December 2017

New Releases Showing from Friday we have the Blade of the Immortal, the 100th feature film from Japanese director Takashi Miike, whilst Menashe follows a Jewish widower who must battle for...

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2001: A Car Parking Odyssey

1 December 2017

As many of you may be aware (though I’m not sure exactly why you would be) there has, for many years, been a building out the back of our offices (across Chuckie Pend aka Morrison Street Lane) half...

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Feel My Pain: Communicating Empathy in Yorgos Lanthimos’ Films

23 November 2017

The Killing of a Sacred Deer mines similarly queasy dystopian material to Yorgos Lanthimos’ first English language film The Lobster, but this time goes for full-blown horror as the overriding tone,...

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A Murder Revisited

9 November 2017

Almost sixty years since it was first presented in cinemas Alfred Hitchcock’s Psycho still exerts a considerable influence over representations of screen violence. This is the central thesis of an...

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25 Years of Dead By Dawn

26 October 2017

When I tell people I’m a festival director they think it sounds glamorous. When I tell them I’m a horror festival director, they often change their mind. I understand: horror can be a very...

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One Man’s Remake; Another Man’s Reimagining…

26 October 2017

When I first heard that Sir Kenny Branagh was remaking Sydney Lumet’s 1973 apogee of the All-Star Cast film vehicle (or, perhaps, as he might prefer, reimagining of the 1934 Agatha Christie novel)...

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The Lustful Beauty of Call Me By Your Name

16 October 2017

How rare it is to find a film that touches you quite like Call Me By Your Name does. A queer drama from Luca Guadagnino (A Bigger Splash) that’s made all the more remarkable thanks to its universal...

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Filmosophy: Being Charlie Kaufman

16 October 2017

Is Charlie Kaufman a philosopher? Many believe so. His films are increasingly screened in classrooms and lecture halls (as well as cinemas) and in 2011 philosophers contributed essays to an edited...

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Reviewing the Reviewers

6 October 2017

I’m writing this on my way back from the 2017 edition of the Toronto International Film Festival, and, whilst it wasn’t perhaps a vintage year, I do return with a head full of many splendid films...

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